Hannah Ely and Lucinda Cox sopranos
Helen Charlston and Lissie Paul mezzo-sopranos
Josh Cooter and Tom Kelly tenors
Ben McKee and David Maguire basses
1588 – a year that almost drastically changed the course of history in Britain. But for a change in the wind, the Spanish Armada would almost certainly have succeeded in invading these shores with untold consequences. In the same year, the first Italian madrigal anthology with English texts crossed the Alps; a peaceful invasion that encouraged a craze for all things Italian, especially the singing of madrigals.
The beautiful young voices of Fieri Consort sing passionate madrigals from the anthology Musica Transalpina, alongside sacred Spanish gems from the time of Mary Tudor’s marriage to Philip II of Spain, and other works reflecting rich cultural exchanges between England and the Continent.
Prom Ticket/SP (on door only) £5
The Spanish Armada
Singing madrigals
| Programme | ||
|---|---|---|
| Girolamo Conversi dates unknown |
Zephirus brings the time that sweetly scenteth | |
| Noë Faignient before 1540–before 1600 |
These that be certain signs of my tormenting | |
| Tomás Luis de Victoria c.1548–1611 | O magnum mysterium | |
| Alfonso Ferrabosco I 1543–1588 | I saw my Lady weeping | |
| Philippe de Monte 1521–1603 | From what part of the heaven | |
| Francisco Guerrero 1528–1599 | Ave virgo sanctissima | |
| Giovanni Pierluigi da Palestrina 1525–1594 | In every place I find my grief | |
| Orlando di Lasso c.1530–1594 | The nightingale so pleasant and so gay | |
| Victoria | Ave Maria | |
| I N T E R V A L | ||
| Alonso Lobo 1555–1617 | Versa est in luctum | |
| Philippe Verdelot c.1480–c.1530 |
O dolce nocte Cortese alma gentile Ultimi miei sospiri |
|
| Anonymous | Lo, here my heart in keeping | |
| William Byrd c.1539–1623 | The fair young virgin | |
| Monte | Super flumina Babylonis | |
| Byrd | Quomodo cantabimus | |