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Fatima Lahham recorder
Elin White violin
Florence Petit cello
Johan Löfving chitarrone, guitar

Alchemy is the ultimate metamorphosis, a transformation of base metal into gold; and in music, repeating bass lines are the foundation of some of the most imaginative musical transformations both composed and improvised.

Improviso explores some of the most popular repeating ostinato – literally ‘obstinate’ – bass lines of the 17th and 18th centuries, presenting a varied programme of composed and improvised music by composers including Bertali, Leclair and JS Bach.

Supported by The Fidelio Charitable Trust


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Programme  
Improvisation:
1643
  Divisions on a Ground
Johann Sebastian Bach
1685–1750
  Organ Trio Sonata BWV 527 Andante – Adagio – Vivace
Heinrich Ignaz Biber
1644–1704
  Passacaglia
Arcangelo Corelli
1653–1713
  Opus 5 No 10
Jean-Marie Leclair
1697–1764
  Deuxiéme Récréation de la Musique: Chaconne
Improvisation:   Folia