Fatima Lahham recorder
Elin White violin
Florence Petit cello
Johan Löfving chitarrone, guitar
Alchemy is the ultimate metamorphosis, a transformation of base metal into gold; and in music, repeating bass lines are the foundation of some of the most imaginative musical transformations both composed and improvised.
Improviso explores some of the most popular repeating ostinato – literally ‘obstinate’ – bass lines of the 17th and 18th centuries, presenting a varied programme of composed and improvised music by composers including Bertali, Leclair and JS Bach.
Supported by The Fidelio Charitable Trust
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Programme | ||
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Improvisation: 1643 |
Divisions on a Ground | |
Johann Sebastian Bach 1685–1750 |
Organ Trio Sonata BWV 527 Andante – Adagio – Vivace | |
Heinrich Ignaz Biber 1644–1704 |
Passacaglia | |
Arcangelo Corelli 1653–1713 |
Opus 5 No 10 | |
Jean-Marie Leclair 1697–1764 |
Deuxiéme Récréation de la Musique: Chaconne | |
Improvisation: | Folia |